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Leveling Up with Quality

Nintendo & Growth

Fusajiro Yamauchi’s playing cards were the best. Moving early on Japan’s easing gambling regulations in 1889, Yamauchi built a company selling beautifully painted playing cards hand-crafted from mulberry and mitsu-mata tree bark. As his cards grew popular, Yamauchi faced a decision on how to meet the rising demand: either increase production speed by decreasing the quality of the cards or hire employees to make the same high-quality cards alongside him. Yamauchi chose the latter option, taking time to hire and train apprentices to craft the cards, and the company grew into the largest playing cards manufacturer in Japan. Yamauchi never knew it, but his choice began a pattern that his company, Nintendo, would follow to success more than 100 years later.

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The Koopa (Tortoise) and the Hare

When Atari flooded the market with lackluster video games in the early 1980s, industry pundits called the market dead. Fusajiro Yamauchi’s grandson Hiroshi Yamauchi didn’t seem to mind. A problem solver, Hiroshi had shifted Nintendo into electronics and toys a few years earlier after noting that the company could go only so far with playing cards. The company’s “Donkey Kong” arcade game became a megahit, and Nintendo was officially a video game company. Testing the waters of the home console market would be its next big challenge, and Hiroshi wanted it done right.

 

Nintendo was determined to avoid an Atari-style super burnout with its Nintendo Entertainment System (NES) console, so it established quality-control measures. First, only the very best games would make it to the NES. Nintendo installed authentication chips, which it alone produced, within every NES console and game cartridge, allowing it to be selective about which games were playable on their console. Secondly, all approved games displayed the Nintendo Seal of Quality, Nintendo’s golden guarantee stamp. The seal buoyed customer confidence that games would be worth purchasing, unlike the low-quality Atari games from a few years ago. Finally, and most importantly, Nintendo’s excellent first-party games became killer apps: the popularity of games such as “Donkey Kong,” “Super Mario Bros.,” and “The Legend of Zelda” sold millions of systems. The quality-first strategy worked.

 

With the video game industry revived, Nintendo’s profits grew into the billions, and its mascot, Mario, became more recognizable than Mickey Mouse. Nintendo had won the race for video games as the slow and steady tortoise to Atari’s hare. Then the hedgehog showed up.

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Wii Don't Need a U

Competition from Sega and Sony crushed Nintendo’s once-dominant market share. Although the Nintendo Entertainment System sold 62 million units, the Super Nintendo would sell only 49 million, and the N64 33 million. After the GameCube’s record-low 24 million units sold, Nintendo needed to hit a home-console home run.

 

Drawing on its history of successful growth with quality, Nintendo decided to deliver customers a new breed of games with its next console. Instead of primarily improving the console’s graphics (as was industry tradition), Nintendo’s Wii system added motion controls to create a fresh experience for new and old gamers alike. With grandmas, toddlers, and everyone in between now in its customer base, Nintendo sold an incredible 101 million Wiis, nearly double its highest console sales yet. But just as Atari flooded the market with low-quality games, Nintendo allowed the motion-control craze to get out of hand, and cheap accessories were everywhere. 

 

When Nintendo released its next home console, the Wii U, many customers thought that its defining feature, a controller with a screen, was just an accessory for the Wii. “We already have remotes, balance boards, golf clubs, and steering wheels for our Wii: we don’t need a ‘U’ too.” The console’s poor lineup of launch games, early release, and confusing name didn’t help things either. Nintendo ended up selling only 13.56 million Wii U’s, less than two-thirds the number of GameCubes it sold and about one-eighth the number of Wiis. With quality in the back seat, Nintendo went from its highest home consoles sales to its lowest in the space of a single generation.

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Conclusion

In the video game business, the name of the game is the game, and quality is the only rule. Fusajiro Yamauchi built Nintendo by crafting beautiful playing cards, and his grandson Hiroshi similarly crafted quality control measures to revitalize the video games market. Today’s Nintendo has had its ups-and-downs, but the company succeeds when it prizes quality. 

Nintendo is emphasizing early its newest console’s key qualities: an innovative docking system that allows gamers to play the Nintendo Switch at home or on-the-go, and a high-quality library of games releasing at a steady clip. Customers have responded well to the system, to say the least: the Switch has sold 18 million units in a year’s time, making it the fastest-selling home console to date. The name of the game is the game, and Nintendo’s playing it right.

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